„World Trade Center” Olivera Stone’a, rozpowszechnian\u0105 w Internecie.<\/P>
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Chris Moukarbel, 28-letni absolwent Uniwersytetu Yale, zrobi\u0142 skr\u00f3con\u0105 wersj\u0119 produkcji „World Trade Center”, kt\u00f3ra kosztowa\u0142a 60 milion\u00f3w dolar\u00f3w. Oba filmy opowiadaj\u0105 t\u0119 sam\u0105 histori\u0119: uratowania dw\u00f3ch policjant\u00f3w, Willa Jimeno i Johna McLoughlina, ze zgliszcz bli\u017aniaczych wie\u017c w Nowym Jorku po tragedii 11 wrze\u015bnia. 12-minutowy film Moukarbela, w kt\u00f3rym zagrali studenci wydzia\u0142u aktorskiego Yale, by\u0142 oferowany za darmo na stronach internetowych tw\u00f3rcy. Moukarbel opar\u0142 go na tym samym scenariuszu, kt\u00f3rego nielegalna kopia dost\u0119pna by\u0142a w sieci.<\/P>
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Paramount pozwa\u0142a Moukarbela 16 czerwca, uzasadniaj\u0105c to tym, \u017ce ludzie zobacz\u0105 studencki film i pomyl\u0105 go z wersj\u0105 hollywoodzk\u0105, w kt\u00f3rej wyst\u0119puj\u0105 Nicolas Cage i Maria Bello. – Wielu ludzi zobaczy ten film i kieruj\u0105c si\u0119 jego kiepsk\u0105 jako\u015bci\u0105, stwierdzi, \u017ce nie chce p\u0142aci\u0107 za to, by zobaczy\u0107 reszt\u0119 w kinie w sierpniu – t\u0142umaczy\u0142 prawnik wytw\u00f3rni. Nancy Kirkpatrick, rzeczniczka Paramountu, powiedzia\u0142a z kolei, \u017ce Moukarbe mo\u017ce zrobi\u0107 jakikolwiek film o World Trade Center, ale nie taki, kt\u00f3ry jest oparty na ich scenariuszu.
Moukarbe, kt\u00f3ry w zesz\u0142ym miesi\u0105cu zdoby\u0142 tytu\u0142 magistra, by\u0142 niedost\u0119pny, by skomentowa\u0107 spraw\u0119. Jego film zosta\u0142 zdj\u0119ty ze strony i zast\u0105piony informacj\u0105, \u017ce „wideo zosta\u0142o usuni\u0119te na pro\u015bb\u0119 Paramount Pictures”.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"Wytw\u00f3rnia Paramount Pictures pozwa\u0142a mieszka\u0144ca Waszyngtonu, kt\u00f3ry nakr\u0119ci\u0142 12-minutow\u0105 wersj\u0119 filmu…","protected":false},"author":1,"featured_media":74991,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"csco_display_header_overlay":false,"csco_singular_sidebar":"","csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"footnotes":""},"categories":[47],"tags":[],"class_list":{"0":"post-74990","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-inne","8":"cs-entry","9":"cs-video-wrap"},"_links":{"self":[{"href":"https:\/\/mediarun.com\/pl\/wp-json\/wp\/v2\/posts\/74990","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mediarun.com\/pl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mediarun.com\/pl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mediarun.com\/pl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mediarun.com\/pl\/wp-json\/wp\/v2\/comments?post=74990"}],"version-history":[{"count":0,"href":"https:\/\/mediarun.com\/pl\/wp-json\/wp\/v2\/posts\/74990\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mediarun.com\/pl\/wp-json\/wp\/v2\/media\/74991"}],"wp:attachment":[{"href":"https:\/\/mediarun.com\/pl\/wp-json\/wp\/v2\/media?parent=74990"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mediarun.com\/pl\/wp-json\/wp\/v2\/categories?post=74990"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mediarun.com\/pl\/wp-json\/wp\/v2\/tags?post=74990"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}